A great portion of my paintings show the influence of Prague and its' mysteries. I would have never achieved any artistic satisfaction had I not come to Prague in the spring of 1988. Since then, the majority of my paintings have been focused on providing the ability to walk along the streets of the city in a bygone era accompanied by clowns and harlequins. When painting I often use my own fingers, which I consider the best brush. Through that, I seek to create uniqueness in each of my paintings.

As much as I find my passion in accompanying the "architecture paintings" by clowns and harlequins, I do find great passion in painting portraits. The urge I seek to create with my portraits is the well known appetite for "forbidden fruit".  The intention of my portraits is not just to make them feel "alive-like" but rather to add an element of life to them. When painting I often use my own fingers, which I consider the best brush. Through that, I seek to create uniqueness in each of my paintings.